Showing posts with label filipino literature in english. Show all posts
Showing posts with label filipino literature in english. Show all posts

Saturday, March 4, 2017

Faith Love Time And Dr. Lazaro



FAITH, LOVE, TIME AND DR. LAZARO

By: Greg Brillantes


From the upstairs veranda, Dr. Lazaro had a view of stars, the country darkness, the lights on the distant highway at the edge of town. The phonograph in the sala played Chopin – like a vast sorrow controlled, made familiar, he had wont to think. But as he sat there, his lean frame in the habitual slack repose took after supper, and stared at the plains of night that had evoked gentle images and even a kind of peace (in the end, sweet and invincible oblivion), Dr. Lazaro remembered nothing, his mind lay untouched by any conscious thought, he was scarcely aware of the April heat; the pattern of music fell around him and dissolved swiftly, uncomprehended. It was as though indifference were an infection that had entered his blood it was everywhere in his body. In the scattered light from the sala his angular face had a dusty, wasted quality, only his eyes contained life. He could have remained there all evening, unmoving, and buried, it is were, in a strange half-sleep, had his wife not come to tell him he was wanted on the phone.

Gradually his mind stirred, focused; as he rose from the chair he recognized the somber passage in the sonata that, curiosly, made him think of ancient monuments, faded stone walls, a greyness. The brain filed away an image; and arrangement of sounds released it… He switched off the phonograph, suppressed and impatient quiver in his throat as he reached for the phone: everyone had a claim on his time. He thought: Why not the younger ones for a change? He had spent a long day at the provincial hospital.

The man was calling from a service station outside the town – the station after the agricultural high school, and before the San Miguel bridge, the man added rather needlessly, in a voice that was frantic yet oddly subdued and courteous. Dr. Lazaro thad heard it countless times, in the corridors of the hospitals, in waiting rooms: the perpetual awkward misery. He was Pedro Esteban, the brother of the doctor’s tenant in Nambalan, said the voice, trying to make itself less sudden remote.

But the connection was faulty, there was a humming in the wires, as though darkness had added to the distance between the house in the town and the gas station beyond the summer fields. Dr. Lazaro could barely catch the severed phrases. The man’s week-old child had a high fever, a bluish skin; its mouth would not open to suckle. They could not take the baby to the poblacion, they would not dare move it; its body turned rigid at the slightest touch. If the doctor would consent to come at so late an hour, Esteban would wait for him at the station. If the doctor would be so kind…


Tetanus of the newborn: that was elementary, and most likely it was so hopeless, a waste of time. Dr. Lazaro said yes, he would be there; he had committed himself to that answer, long ago; duty had taken the place of an exhausted compassion. The carelessness of the poor, the infected blankets, the toxin moving toward the heart: they were casual scribbled items in a clinical report. But outside the grilled windows, the night suddenly seemed alive and waiting. He had no choice left now but action: it was the only certitude – he sometimes reminded himself – even if it would prove futile, before, the descent into nothingness.

His wife looked up from her needles and twine, under the shaded lamp of the bedroom; she had finished the pullover for the grandchild in Bagiuo and had begun work, he noted, on another of those altar vestments for the parish church. Religion and her grandchild certainly kept her busy … She looked at him, into so much to inquire as to be spoken to: a large and placid woman.

“Shouldn’t have let the drive go home so early,” Dr. Lazaro said. “They had to wait till now to call … Child’s probably dead…”

“Ben can drive for you.”

“I hardly see that boy around the house. He seems to be on vacation both from home and in school.”

“He’s downstairs,” his wife said.

Dr. Lazaro put on fresh shirt, buttoned it with tense, abrupt motions, “I thought he’d gone out again… Who’s that girl he’s been seeing?...It’s not just warm, it’s hot. You should’ve stayed on in Baguio… There’s disease, suffering, death, because Adam ate the apple. They must have an answer to everything… “He paused at the door, as though for the echo of his words.

Mrs. Lazaro had resumed the knitting; in the circle of yellow light, her head bowed, she seemed absorbed in some contemplative prayer. But her silences had ceased t disturb him, like the plaster saints she kept in the room, in their cases of glass, or that air she wore of conspiracy, when she left with Ben for Mass in the mornings. Dr. Lazaro would ramble about miracle drugs, politics, music, the common sense of his unbelief; unrelated things strung together in a monologue; he posed questions, supplied with his own answers; and she would merely nod, with an occasional “Yes?” and “Is that so?” and something like a shadow of anxiety in her gaze.


He hurried down the curving stairs, under the votive lamps of the Sacred Heart. Ben lay sprawled on the sofa, in the front parlor; engrossed in a book, one leg propped against the back cushions. “Come along, we’re going somewhere,” Dr. Lazaro said, and went into the clinic for his medical bag. He added a vial of penstrep, an ampule of caffeine to the satchel’s content’s; rechecked the bag before closing it; the cutgut would last just one more patient. One can only cure, and know nothing beyond one’s work… There had been the man, today, in the hospital: the cancer pain no longer helped by the doses of morphine; the patients’s eyes flickering their despair in the eroded face. Dr. Lazaro brushed aside the stray vision as he strode out of the whitewashed room; he was back in his element, among syringes, steel instruments, quick decisions made without emotion, and it gave him a kind of blunt energy.


I’ll drive, Pa?” Ben followed him through the kitchen, where the maids were ironing the week’s wash, gossiping, and out to the yard shrouded in the dimness of the single bulb under the eaves. The boy push back the folding doors of the garage and slid behind the wheel.

“Somebody’s waiting at the gas station near San Miguel. You know the place?”

“Sure,” Ben said.

The engine sputtered briefly and stopped. “Battery’s weak,” Dr. Lazaro said. “Try it without the lights,” and smelled the gasoline overflow as the old Pontiac finally lurched around the house and through the trellised gate, its front sweeping over the dry dusty street.

But he’s all right, Dr. Lazaro thought as they swung smoothly into the main avenue of the town, past the church and the plaza, the kiosko bare for once in a season of fiestas, the lam-posts shining on the quiet square. They did not speak; he could sense his son’s concentration on the road, and he noted, with a tentative amusement, the intense way the boy sat behind the wheel, his eagerness to be of help. They passed the drab frame houses behind the marketplace, and the capitol building on its landscaped hill, the gears shifting easily as they went over the railroad tracks that crossed the asphalted street.


Then the road was pebbled and uneven, the car bucking slightly; and they were speeding between open fields, a succession of narrow wooden bridges breaking the crunching drive of the wheels. Dr. Lazaro gazed at the wide darkness around them, the shapes of trees and bushes hurling toward them and sliding away and he saw the stars, hard glinting points of light yards, black space, infinite distances; in the unmeasured universe, man’s life flared briefly and was gone, traceless in the void. He turned away from the emptiness. He said: “You seem to have had a lot of practice, Ben.”

“A lot of what, Pa?”

“The ways you drive. Very professional.”

In the glow of the dashboard lights, the boy’s face relaxed, smiled. “Tio Cesar let me use his car, in Manila. On special occasions.”

“No reckless driving now,” Dr. Lazaro said. “Some fellows think it’s smart. Gives them a thrill. Don’t be like that.”

“No, I won’t, Pa. I just like to drive and – and go place, that’s all.”

Dr. Lazaro watched the young face intent on the road, a cowlick over the forehead, the mall curve of the nose, his own face before he left to study in another country, a young student of full illusions, a lifetime ago; long before the loss of faith, God turning abstract, unknowable, and everywhere, it seemed to him, those senseless accidents of pain. He felt a need to define unspoken things, to come closer somehow to the last of his sons; one of these days, before the boy’s vacation was over, they might to on a picnic together, a trip to the farm; a special day for the two of them – father and son, as well as friends. In the two years Ben had been away in college, they had written a few brief, almost formal letters to each other: your money is on the way, these are the best years, make the most of them…

Time was moving toward them, was swirling around and rushing away and it seemed Dr. Lazaro could almost hear its hallow receding roar; and discovering his son’s profile against the flowing darkness, he had a thirst to speak. He could not find what it was he had meant to say.

The agricultural school buildings came up in the headlights and glided back into blurred shapes behind a fence.

“What was that book you were reading, Ben?”

“A biography,” the boy said.


“Statesman? Scientist maybe?”

It’s about a guy who became a monk.”

“That’s your summer reading?” Dr. Lazaro asked with a small laugh, half mockery, half affection. “You’re getting to be a regular saint, like your mother.”

“It’s an interesting book,” Ben said.

“I can imagine…” He dropped the bantering tone. “I suppose you’ll go on to medicine after your AB?”

“I don’t know yet, Pa.”

Tiny moth like blown bits of paper flew toward the windshield and funneled away above them. “You don’t have to be a country doctor like me, Ben. You could build up a good practice in the city. Specialized in cancer, maybe or neuro-surgery, and join a good hospital.” It was like trying to recall some rare happiness, in the car, in the shifting darkness.

“I’ve been thinking about it,” Ben said. It’s a vocation, a great one. Being able to really help people, I mean.”

“You’ve done well in math, haven’t you?”

“Well enough, I guess,” Ben said.

Engineering is a fine course too, “ Dr. Lazaro said. “There’ll be lots of room for engineers. Planners and builders, they are what this country needs. Far too many lawyers and salesmen these days. Now if your brother –“ He closed his eyes, erasing the slashed wrists, part of the future dead in a boarding-house room, the landlady whimpering, “He was such a nice boy, doctor, your son…” Sorrow lay in ambush among the years.

“I have all summer to think about, “ Ben said.

“There’s no hurry,” Dr. Lazaro said. What was it he had wanted to say? Something about knowing each other, about sharing; no, it was not that at all…

The stations appeared as they coasted down the incline of a low hill, its fluorescent lights the only brightness on the plain before them, on the road that led farther into deeper darkness. A freight truck was taking on a load of gasoline as they drove up the concrete apron and came to a stop beside the station shed.


A short barefoot man in a patchwork shirt shuffled forward to meet them.
I am Esteban, doctor,” the man said, his voice faint and hoarse, almost inaudible, and he bowed slightly with a careful politeness. He stood blinking, looking up at the doctor, who had taken his bag and flashlight form the car.

In the windless space, Dr. Lazaro could hear Esteban’s labored breathing, the clank of the metal nozzle as the attendant replaced it in the pump. The men in the truck stared at them curiously.

Esteban said, pointing at the darkness beyond the road: “We will have to go through those fields, doctor, then cross the river,” The apology for yet one more imposition was a wounded look in his eyes. He added, in his subdued voice: “It’s not very far…” Ben had spoken to the attendants and was locking the car.

The truck rumbled and moved ponderously onto the road, its throb strong and then fading in the warm night stillness.

“Lead the way, “ Dr. Lazaro said, handing Esteban the flashlight.

They crossed the road, to a cleft in the embankment that bordered the fields, Dr. Lazaro was sweating now in the dry heat; following the swinging ball of the flashlight beam, sorrow wounded by the stifling night, he felt he was being dragged, helplessly, toward some huge and complicated error, a meaningless ceremony. Somewhere to his left rose a flapping of wings, a bird cried among unseen leaves: they walked swiftly, and there was only the sound of the silence, the constant whirl of crickets and the whisper of their feet on the path between the stubble fields.

With the boy close behind him, Dr. Lazaro followed Esteban down a clay slope to the slope and ripple of water in the darkness. The flashlight showed a banca drawn up at the river’s edge. Esteban wade waist-deep into the water, holding the boat steady as Dr. Lazaro and Ben stepped on the board. In the darkness, with the opposite bank like the far rise of an island, Dr. Lazaro had a moment’s tremor of fear as the boar slide out over the black water; below prowled the deadly currents; to drown her in the dephts of the night… But it took only a minute to cross the river. “We’re here doctor,” Esteban said, and they padded p a stretch of sand to a clump of trees; a dog started to bark, the shadows of a kerosene lamp wavered at a window.

Unsteady on a steep ladder, Dr. Lazaro entered the cave of Esteban’s hut. The single room contained the odors he often encountered but had remained alien to, stirring an impersonal disgust: the sourish decay, the smells of the unaired sick. An old man greeted him, lisping incoherently; a woman, the grandmother, sat crouched in a corner, beneath a famed print of the Mother of Perpetual Help; a boy, about ten, slept on, sprawled on a mat. Esteban’s wife, pale and thin, lay on the floor with the sick child beside her.


Motionless, its tiny blue-tinged face drawn way from its chest in a fixed wrinkled grimace, the infant seemed to be straining to express some terrible ancient wisdom.

Dr. Lazaro made a cursory check – skin dry, turning cold; breathing shallow; heartbeat
fast and irregular. And I that moment, only the child existed before him; only the child and his own mind probing now like a hard gleaming instrument. How strange that it should still live, his mind said as it considered the spark that persisted within the rigid and tortured body. He was alone with the child, his whole being focused on it, in those intense minutes shaped into a habit now by so many similar instances: his physician’s knowledge trying to keep the heart beating, to revive an ebbing life and somehow make it rise again.

Dr. Lazaro removed the blankets that bundled the child and injected a whole ampule to check the tonic spasms, the needle piercing neatly into the sparse flesh; he broke another ampule, with deft precise movements , and emptied the syringe, while the infant lay stiff as wood beneath his hands. He wiped off the sweat running into his eyes, then holding the rigid body with one hand, he tried to draw air into the faltering lungs, pressing and releasing the chest; but even as he worked to rescue the child, the bluish color of its face began to turn gray.


Dr. Lazaro rose from his crouch on the floor, a cramped ache in his shoulders, his mouth dry. The lamplight glistened on his pale hollow face as he confronted the room again, the stale heat, the poverty. Esteban met his gaze; all their eyes were upon him, Ben at the door, the old man, the woman in the corner, and Esteban’s wife, in the trembling shadows.

Esteban said: “Doctor..”

He shook his head, and replaced the syringe case in his bag, slowly and deliberately, and fastened the clasp. T Here was murmuring him, a rustle across the bamboo floor, and when he turned, Ben was kneeling beside the child. And he watched, with a tired detached surprise, as the boy poured water from a coconut shell on the infant’s brow. He caught the words half-whispered in the quietness: “.. in the name of the Father.. the Son… the Holy Ghost…”

The shadows flapped on the walls, the heart of the lamp quivering before it settled into a slender flame. By the river dogs were barking. Dr. Lazaro glanced at his watch; it was close to midnight. Ben stood over the child, the coconut shell in his hands, as though wandering what next to do with it, until he saw his father nod for them to go.

Doctor, tell us – “Esteban took a step forward.

“I did everything: Dr. Lazaro said. “It’s too late –“


He gestured vaguely, with a dull resentment; by some implicit relationship, he was also responsible, for the misery in the room, the hopelessness. “There’s nothing more I can do, Esteban, “ he said. He thought with a flick of anger: Soon the child will be out of it, you ought to be grateful. Esteban’s wife began to cry, a weak smothered gasping, and the old woman was comforting her, it is the will of God, my daughter…”

In the yard, Esteban pressed carefully folded bills into the doctor’s hand; the limp, tattered feel of the money was sort of the futile journey, “I know this is not enough, doctor,” Esteban said. “as you can see we are very poor… I shall bring you fruit, chickens, someday…”

A late moon had risen, edging over the tops of the trees, and in the faint wash of its light, Esteban guided them back to the boat. A glimmering rippled on the surface of the water as they paddled across,; the white moonlight spread in the sky, and a sudden wind sprang rain-like and was lost in the tress massed on the riverbank.

“I cannot thank you enough, doctor,” Esteban said. “You have been very kind to come this far, at this hour.” He trail is just over there, isn’t it?” He wanted to be rid of the man, to be away from the shy humble voice, the prolonged wretchedness.

I shall be grateful always, doctor,” Esteban said. “And to you son, too. God go with you.” He was a faceless voice withdrawing in the shadows, a cipher in the shabby crowds that came to town on market days.

“Let’s go, Ben” Dr. Lazaro said.

They took the path across the field; around them the moonlight had transformed the landscape, revealing a gentle, more familiar dimension, a luminous haze upon the trees stirring with a growing wind; and the heat of the night had passed, a coolness was falling from the deep sky. Unhurried, his pace no more than a casual stroll, Dr. Lazaro felt the oppression of the night begin to life from him, an emotionless calm returned to his mind. The sparrow does not fall without the Father’s leave he mused at the sky, but it falls just the same. But to what end are the sufferings of a child? The crickets chirped peacefully in the moon-pale darkness beneath the trees.

“You baptized the child, didn’t you, Ben?”

“Yes, Pa.” The boy kept in the step beside him.


He used to believe in it, too. The power of the Holy Spirit washing away original sin, the purified soul made heir of heaven. He could still remember fragments of his boy hood faith, as one might remember an improbable and long-discarded dream.

“Lay baptism, isn’t that the name for it?”

“Yes,” Ben said. I asked the father. The baby hadn’t been baptized.” He added as they came to the embankment that separated the field from the road: “They were waiting for it to get well.”

The station had closed, with only the canopy light and the blobed neon sign left burning. A steady wind was blowing now across the filed, the moonlit plains.

He saw Ben stifle a yawn. I’ll drive,” Dr. Lazaro said.

His eyes were not what they used to be, and he drove leaning forward, his hands tight on the wheel. He began to sweat again, and the empty road and the lateness and the memory of Esteban and of the child dying before morning in the impoverished, lamplit room fused into tired melancholy. He started to think of his other son, one he had lost.

He said, seeking conversation, If other people carried on like you, Ben, the priests would be run out of business.”

The boy sat beside him, his face averted, not answering.

“Now, you’ll have an angel praying for you in heaven,” Dr. Lazaro said, teasing, trying to create an easy mood between the. “What if you hadn’t baptized the baby and it died? What would happen to it then?”

It won’t see God,” Ben said.

“But isn’t that unfair?” It was like riddle, trivial, but diverting. “Just because..”

“Maybe God has another remedy,” Ben said. “I don’t know. But the church says.”


He could sense the boy groping for the tremendous answers. “The Church teaches, the church says…. “ God: Christ: the communications of saints: Dr. Lazaro found himself wondering about the world of novenas and candles, where bread and wine became the flesh and blood of the Lord, and a woman bathed in light appeared before children, and mortal men spoke of eternal life; the visions of God, the body’s resurrection at the tend of time. It was a country from which he was barred; no matter – the customs, the geography didn’t appeal to him. But in the care suddenly, driving through the night, he was aware of an obscure disappointment, a subtle pressure around his heart, as though he had been deprived of a certain joy…

A bus roared around a hill toward, its lights blinding him, and he pulled to the side of the road, braking involuntarily as a billow of dust swept over the car. He had not closed the window on his side, and the flung dust poured in, the thick brittle powder almost choking him, making him cough, his eyes smarting, before he could shield his face with his hands. In the headlights, the dust sifted down and when the air was clear again, Dr. Lazaro, swallowing a taste of earth, of darkness, maneuvered the car back onto the road, his arms exhausted and numb. He drove the last half-mile to town in silence, his mind registering nothing but the frit of dust in his mouth and the empty road unwinding swiftly before him.


They reached the sleeping town, the desolate streets, the plaza empty in the moonlight, and the dhuddled shapes of houses, the old houses that Dr. Lazaro had always know. How many nights had he driven home like this through the quiet town, with a man’s life ended behind him, or a child crying newly risen from the womb; and a sense of constant motions, of change, of the days moving swiftly toward and immense reverlation touched him onced more, briefly, and still he could not find the words.. He turned the last corner, then steered the car down the graveled driveway to the garage, while Ben closed the gate. Dr. Lazaro sat there a momen, in the stillness, resting his eyes, conscious of the measured beating of his heart, and breathing a scent of dust that lingered on his clothes, his skin..SLowely he merged from the car, locking it, and went around the towere of the water-tank to the frotnyard where Ben Stood waiting.

With unaccustomed tenderness he placed a hand on Ben’s shoulder was they turned toward the ement –walled house. They had gone on a trip; they had come home safely together. He felt closer to the boy than he hade ever been in years.

“Sorry for ekeeping you up this late,” Dr. Lazaro said.

“It’s all right, Pa.”

Some night, huh, Ben? What you did back in that barrio” – ther was just the slightest patronage in this one –“ your momother will love to hear about it.”

He shook the boy beside him gently. “Reverend Father Ben Lazaro.”

The impulse of certain humor – it was part of the comradeship. He chuckled drowsily: father Lazaro, what must I do to gain eternal life?”

As he slid the door open on the vault of darkness, the familiar depth of the house, it came to Dr. Lazaro faitly in the late night that for certain things, like love there was only so much time. But the glimmer was lost instantly, buried in the mist of indifference and sleep rising now in his brain.



Tuesday, October 25, 2016

Convict's Twilight by Arturo B. Rotor

In the convict camps of Davao, the day is short. Twilight comes early, much earlier than it does elsewhere in the world. It seemed to me that way the first day I was there. I do not think that the feeling is due alone to the sense of solitude brought about by one’s being in the midst of thousands of hectares of virgin forest. For I have lived in other forests before. And these are not the tallest trees I have seen, nor the oldest, and I have already experience that terror overcomes one when he losses a trail. No, the end of the day here and the beginning of the night are brought about by more subtle forces than the movement of heavenly bodies, influences more mysterious than light or darkness, heat or cold, the shifting of vagrant winds. Perhaps it is not really the end of the day that comes so soon, but merely the feeling that it is ended. What matter is not the daily passage of the sun through an arc that ends somewhere in neither the west, nor the lengthening shadows, nor the reddish afterglow that tints the top of the tallest Lauan. It is more than that. It is a premonition more than an actual experience, a foretaste rather than a sensation, a thought, instinct with the sad beauty of every twilight that has passed before, that the hour signifies the end of the day’s work, the cessation of all the hurrying and stumbling during the day. A chance to sit down or lie among the cool hedges that grow near the spring, to bow your head or rest your bowed head on sleep and forgetting, and the expectations of the sensation is peaceful and resigned where the actual sensation itself is often restless and troubled.

This twilight comes when I see the convict emerge from the forest into the clearing. They look weary as they trudge single file to their barracks, backs bent not so much by the weight of the heavy spades, picks, baskets, that they carry as by the unseen burned that they have piled on their shoulders. They have just finished the day’s work of opening new farms or keeping those already open from being swallowed again by the wilderness. Some of the men are caked with mad up to their waists; they have spent the morning clearing the streams of fallen logs and boulders, deepening them so that the water will not stagnate and breed malaria-bearing mosquito. Others are covered with soot, their faces and arm cress-crossed with black lines in crazy patterns, as if they had been playing with charcoal and painted each other’s faces. But they looked tired and dirty, even their eyebrows are matted with black dust, their uniforms are in tatters; they have not been playing. They are the men who first entered a kaingin after it had burned out. The soot on their faces they got when they brushed against the charred and matted branches, as they worked in a cloud of ashes rooting out the smoldering stumps. For me, night begins when I see these men returning home, though it may be long before darkness comes and the air turns cold.
The forest, always silent, now assumes that calm is more breathless and awesome than silence. The breeze dies down, the leaves cease to rustle, the animals of the wood slink away to their lairs. One sees only an occasional crow. Its obstreperous caw-caw-caw echoing and re-echoing for miles around. No angelus rings here, for the nearest church is a day’s journey away, down the river and along the coast. But one does not need to hear the tolling of distant bells to be reminded of the hour for prayer. One must pray here, if only to relieve the terrifying solitude, to stay the gathering darkness. Here one must kneel down, make the sign of the cross, join the twilight host that like a solemn invocation rises above the heads of the tallest to heaven.
The darkness comes like a sluggish, ever deepening stream Imperceptibly it crawls, inch by inch, and as it crawls, it swallows everything that stands in its way, first the towering trees, from their buttressed roots to the highest quivering leaf, then the shrubs and the undergrowth. One knows that it has reached a certain point by sound and movement cease, the creaking of the stiff branches, the scampering of the small animals under the trees, even the wind as it hurries through the lattice of leaves and vines seems arrested in its flight. Over the deep holes left by decaying logs, the deep puddle made by the wild boar, this stream swirls, eddies, and forms little unplumbed pools. Arriving at the edge of the woods and at the beginning of the cleared area of corn and bananas, its progress is faster, because here there are no trees and vines to obstruct its way. Here it broadens cut without shallow, and finally inundates the whole valley.
Once, while gravely ill, I lost consciousness and, since then, light leaving the world has always reminded me of consciousness leaving a sick body. I do not recall any struggling to retain it, the outward flow was so smooth, so placid, so gradual. I desired to prolong it, not because I wanted to retain a clear perception of objective, but because, losing it, I knew that I would also loss an ineffable peace. I wanted to keep indefinitely that twilight interval between awareness and insensibility. Twilight here in the convict’s camps is like that. It is different from any other twilight. For the sake of the convict, it comes early so that he may work early. It stays so that after his toiling he does not have to go to sleep right away; it delays the coming of night and the command to sleep. For it is the only hour that the convict has for playing. All morning he works in the fields and the shops, and at night he sleeps like a log with a hundred out hers in long barn-like quarters; but between these two states, between a fretful existence and a brief lethargy. He has this hour of crepuscule. It is the only hour he can really forget he is a convict. It is an hour of forgetfulness of the sin and its atonement; an hour to play at being free. During this short time he is like you and me; afterwards he is again the unfortunate, taciturn. Self-conscious and servile, the man who marches with heavy feet and a heavier heart.
As soon as the men are gathered, the roll is called, and the presence of everyone is checked. After they have dispersed to return the tools and implements to the tool house, they receive the evening ration. Then comes the hour for play. Their pleasures are simple, their games few. The indoor baseball team goes out to the field and spirited battle is played between two camps. Or it may be volleyball or foot race. Group became bigger or break up, the men wander from barrack to barrack, loiter by the water pump, join other groups nears the general store and exchange bits of news and opinions. Soon everybody is playing or watching others plays and enjoying the games as much as if were active participants, from the embezzler, who teaches his dog to retrieve a stick, to the murderer with his guitar who hurries to join the colony’s string band composed of men like him who are serving sentence of from twenty years of life imprisonment.
The air resounds with their cheers and laughter. These people could not have been happier if they were little children playing patintero in some remote barrio. Thieves, rustlers, smugglers, hardened recidivists, as well as bewildered, boyish killers, all take part in one big game. The game of forgetting, a game with no rules to be followed. Strenuous and difficult as any exhilarating and rough a game which only these men understand fully, a game in which all with except those who are too weak to play it or those who do not see it as a game, or those who have been tired of playing it, twilight after twilight, year in and year out.
Once the colony had a radio and is provided the most exciting game of all. In the midst of their chess or do mine, when a certain hour, some of the men would drop everything they held and rush to the place where the radio was; a room above the general store. And there first was too small to contain all of them, only those who get there first went up, the rest sat down on the benches and stools around the store. When I was new there, I did not understand what drew them like that. At first I thought it was the dance music they liked so much. Later on I learned that this was not the case. For one day when I joined the group below at that hour, the radio was playing a well-known dance piece, but nobody seemed to be listening, and they were making enough noise to drown the music
but when it stopped and a voice announced, “the English Information Period” all noise cease and the place became as silent as a church. Benches were move over so carefully, shuffling legs became still. The men talked to each other and only in whispers, and then only ask about some word they did not catch. I doubt if they understood what they heard, for the voice spoke of a battle in Africa, the political situation in Europe, a strike in America, the problems of the Commonwealth. I do not think knew English. But apparently that were hearing a strange voice telling them of strange happenings in far countries. Very easily one could make believe that he was seeing these events himself, taking an active part in them. That was the most exhilarating game of all, more satisfying than baseball or ping-pong, more than baseball or ping-pong it brought sweat readily and that delicious sense of tiredness which comes from hard putting all your heart into the game.
And then twilight ends, and the voice from, and all the games. Tomorrow is another day and another night and between the two another hour for play. But the men do not look forward to it. Only the new arrivals do that, with their calendars where each day that passes is carefully crossed out in colored pencil. Those who have been here five or ten years often smile at these fellows, knowing full well that after a few months they will not keep track of the days anymore, nor of the hours, nor whether it is morning or night or twilight.
I was surprised to see Cornelio at the hospital that morning. “Why, I thought you were in Iwahig” “I was transferred here sir,” he answered, “I arrived about a week ago.”
The man looked healthier and less reticent than when I had seen him last. I guessed at the reason. “Parole”
“Not yet, sir, but soon maybe.”
“And your wife?”
“She came with me, with my son. I have a son now sir, who was born in the Colony. They went to Tayabas to see my mother soon after we came here but I am expecting them this afternoon. I have been expecting them for the last three days. I shall tell her you are here sir.”
It was like seeing an old friend to see Cornelio here. The joy on his face when he saw me was unmistakable. He had never forgotten the time he pulled through a bad attack of black water fever and he thought that just because I had prescribed a few injections he owed his life to me. His wife thought so too. He wrote to her as soon as he was able to and when I got back to Manila she was waiting for me. She wept soon as she began to thank me, but I do not think it was so much for you that her husband was saved from death as for her helplessness to reward me, her realization that any reward would always be inadequate. Cynically I thought at the time, must we got to convicts to find honest acknowledgement of a debt. The men who are free, have they no such simple qualities as sincerity and gratefulness?
I know Cornelio well. I recall clearly the first time I saw him. It was here in Bilibid, in a cell, where he had been placed in solitary confinement. His quietness that was not resignation. There was no trace of sullenness in him, nor of that grim hiding of time that convicts who have been severely disciplined often show for weeks after their sentence. I had attempted to find out why he was there, what offense he had committed and although he answered me politely enough, soon I began to feel that I was despicable interloper praying officiously into his private affairs. It was something in his impeccably courteous manner. That in itself was surprising enough for here in Bilibid, every inmate seems only to glad to get anybody to listen to his life history. You ask a patient for his symptoms and he sill start with his childhood, his family troubles, his accomplishments, the story of the crime for which he was unjustly condemned. Later on if you are still listening, he will tell you where he buried the money before he was captured. Not so with Cornelio. He answers my questions and nothing more, and when I realized my mistake, I almost felt like apologizing to him.
A few years afterwards I found him in the convict camps of Davao when that Colony was just being carved out of a dark and matted wilderness. I saw him strip red to the waist, swinging an axe as expertly as if he had been used to the work all his life. I watched him as he scampered away with the others when the signal came that the great trees were toppling over. Except that he was tanned by the sun and scarred all over with scratches from rattan vines, he was unchanged. He was still the reserved, soft-spoken somewhat self assured prisoner. It seemed that he had quietly worked out his problem, found its solution and settling his eyes on the road ahead, had resolved that for no reason at all would be linger by the wayside. Somehow he did not seem to be a convict, he did not belong to the place, he was merely visiting these men and would leave shortly. If there was ever anybody who deserved to regain his freedom, it was Cornelio. He had expiated his crime fully, further incarceration served no useful purpose.
Seeing him that day brought Davao and Iwahig back to me. I talked with dozens of convicts and saw hundreds of them, morning and afternoon. Again the question came to me about which I had thought of hundred times before. Which made imprisonment more complete and absolute, the massive walls and iron gates of Bilibid, or the unfenced forest of Davao? Here in Manila freedom and liberty were just on the other side of the wall. In Davao, the nearest settled town was a day’s journey away. If I were a convict would I prefer to be in Manila where I could bear the rumble of a great city, where I could catch occasional glimpses of tall buildings, of the multitude hurrying by? Being so near life, feeling its strong pulsating rhythm, would my own pulse quicken? Would the day of my isolation pass sooner if an every hour of the day was made aware of the sounds that augment the sense of my isolation?
Probable not, probably I would prefer to be in Davao. There, tramping the field, following a river down stream and exploring its muddy banks for catfish, sitting down that flat stone near the spring one could better hold to the delusion that one is free. All you have to do to be free, to throw away chains and shackles, to discard a numbered uniform, so to discredit your sense. You will find many who are only too willing to help you in the face of contrary facts; your companions, the officials, will do all they can to make you feel that you are not really a convict. They will talk kindly to you and give wise and advice, food and clothes, take care of you when you are sick, and there in Davao, the place provides a fitting setting. There are no walls here except the impenetrable wall of forest, the only sentries you see are hoary trees, row upon row, unbending, unrelaxing in their vigilance, keeping a century old watch day and night. Here in Manila so near freedom and yet never any nearer, one can easily forget to laugh.
Going back to the hospital that afternoon, I noticed that the observation tower and platform was full of visitors. I thought there might be something new going on and so I ascended the ladder. This tower, reached by three flights, is built in the center of the compound. Up there an armed guard is posted day and night; he commands clear view of every corner of the yard. Around this tower a sort of sort a platform is built, which would server as a grandstand where visitors are sometimes allowed during parades, reviews or games.
Here, one gets a general view of the construction of the whole reservation. The general building are grouped along a large circle whose center is this tower. The outermost circumference is the wall, so high and forbidding from below, here looking like only a few a low fence. Inside this are the long stone-walled barrack all convening toward the center. Outside wall is another world, the aspect and extent of which those inside see only dimly, in memory or more vividly in imagination. Sometimes they hear various sounds that rise above the wall and are carried inside, but they do not seem to have any meaning. In some corners of the yard, one may hear more and see more an airplane passing by, an electric sign apparently suspended in mid-air, the spire of the nearest church pointed, towards the sky like a finger of exhortation.
I found the usual motley collection of Sunday visitors, mostly relatives of the prisoners came from neighboring towns for the monthly visit, a group of tourist in white duck or shorts, sun helmets askew, cameras slung over their shoulder. There was really nothing new. I had seen this routine review and callisthenic exercise innumerable times. First the prison bond came out, with a great blare of trumpets and roughly roll of drums. The prisoners then followed coming out of their where saluted, and on to their appointed places. There were a few exercises with dummy guns, and calisthenics and gymnastics, briskly and mechanically done. It was the weekly picture of order and obedience and discipline.
The drill was almost half through when, chancing to turn my head slightly, I espied a figure to my left and somewhat behind me. It was a woman, her back turned toward me, and towards the whole crowd. She alone faced that was, for the rest of us were looking the opposite direction where the exercises were going on. Half squat tin, half-kneeling, she held a baby clasped in her arms. She seemed strangely familiar. I looked more closely and recognized Cornelio’s wife.
She was dress in blacked, in the cheap fashion of the poor, a thin old shawl around her shoulders, the hem of her skirt frayed and grey with dust. I stepped forward to a have word with her, but stopped short when I saw how intent she was on something. I followed her graze, followed it to the prisoner’s barracks, saw it fixed on the one directly in front of us. I was somewhat perplexed for I knew the buildings were empty except for the trustees who stood, one to each building, just at the entrance. And then I saw that the men in front of that building, standing against the iron-barred door, was looking up at her. I could not at first make out his features, because the light was failing already, but before I finally did so, I knew it was, that it must be, Cornelio,; it could not have been any other person.
She must have been there from the beginning, the must have been looking at each other like that for that for the last hour. Although she was almost at the edge of the platform, about a hundred yards still lay between them; they were too far away to talk to each other, to even see each other’s eyes clearly. But by the way he looked down. I knew they had been speaking to each other all this time. She must have just arrived from Tayabas, too late to catch the visitor’s hour and meet her husband, but not too late to got a glimpse of him from here. From her cramped position she hardly moved, except when the baby became restless and then she patted his head and murmured something. Once in a while she held him up in her arm, for the father to see him or perhaps in an excess of naïve expectation that at this age and from this distance the baby would recognize his father. And in his place the man did not move, not even shift his weight from leg to leg.
Every now and then one of the spectators regarded her dubiously thinking it queer that this woman would be alone like that in one corner of the platform, not paying any attention to what was going on. But he did not see what she saw, Cornelio was too far away. And nobody came near and spoke to her. Perhaps if anyone had she would not have seen him, nor hear his voice.
Gradually I found myself looking at the two of them and like them forgetting all the others first at the man, then at the woman, wondering if after all they were not really talking audible to one another in a language not only beyond my sense of hearing, but also utterly beyond my pitiful comprehension. I strove hard to see her lips move, I desired intensely to see her even wave her hand at the figure opposite. If she had so much as whispered his name, I am sure I would have heard it above the din of that band, above the sound of marching feet.
But I could not make out anything and after a while the roll of the drums and the sound of men’s feet keeping time mechanically became less and less distinct. The silence recalled the forest, a great forest at twilight, the afterglow tinting the tallest trees a dull red, the animals slinking to their lairs, the wind being arrested in its flight as it passed through the lactase of leaves. The night falling was consciousness leaving a sick body, restlessness and strife and pain being replaced by a profound peace. I seemed to hear the sound of a distant bell tolling and that silhouette of the woman kneeling naturally brought the thought of angelus; the woman was praying, the silence itself was a prayer, the darkening world’s daily invocation at twilight.
It was somebody touching my shoulder and starting me unduly that made me look around. I saw a guard by my side and seeing him, I also saw that there were no more people here, that the review had ended and the visitors gone home. I nodded and the guard left me and approached the woman. She rose. Took the shawl from her shoulder and wrapped it around the baby, holding him close, laying him check against hers. As she stepped down the ladder she looked back once, but she did not wave her hand. Following a few paces behind her and picking my steps carefully because it was almost dark, I stopped for a moment and looked back also. But I saw nothing. Night had fallen.

https://prakx.wordpress.com/2008/10/19/a-convicts-twilight-by-arturo-belleza-rotor/

Friday, October 31, 2014

Maikling Kuwento: Economy Class

June 24, 2014

Economy Class


“Kita tau?” nabasa ko sa iskrin ng aking selfon.  Napangiti ako. Itiniggil kong muli ang paghuhugas ng mga pinggan para makapag-text.
Kelan?
“Maya sa baba ng LRT.  Kain sa labas tapos, bahala na.Sige.  Tex kta maya kung tuloy.Miz na kita.”
Dalawang buwan na kaming magkakilala ni Alex.  Seatmate ko siya sa tren.
Dapat “first class with beds”ang  trennamin kaya lang  nagkaaberya.  Sabing train supervisor ay  mamili na lang daw kung gusto ang sunod na sleeper pero walang aircon o ang third class na paalis na.  Humingi ang supervisor ng patawad para sa PNR. 
“Ano pa nga ba ang magagawa ng mga pasahero,”  pakutya kong sabi para marinig ng marami.
Naghintay ang mga pasaherong gusto ng makaalis.
Ang third class ay walang aircon, walang sleeping beds, walang malambot na upuan. Ang mga ilaw ay parang kutitap ng gamogamu.Di tulad sa first class malamig at maluwang.  Sira ang carriage ng first class kaya ang mga pasaherong gustong makaluwas kaagad ay sumakay na rin.
“Bahala na, kung bukas pa ako luluwas ay hindi ako makakahabol sa meeting.”
Agawan kami sa pagpila sa ticket booth para ma-irefund ang pera.   Lahat nagbakasakali.  Pati ang apat na postoryosang senior citizens ay sumakay na rin.  Waring lahat kami sa first class ay may hinahabol.
Mabilis tumabi sa akin ang isang matandang lalaki. Grabe kung makatitig. Para akong kakainin.  Umalis ako sa tabi niya at nagawi ako sa pinto katabi ng isang babae at isang lalaki.  Nagusap kami ng katabi ko.Mayla ang pangalan ng babae.Natuwa ako dahil may kasama na ako.  Sa ilang sandali, lumipat si Mayla sa harapan dahil natakot sa katabi niyang lalaking mataba na siksik nang siksik sa kanya.  Sumenyas si Mayla sa akin.
Paalis na ang tren at tabi na nga kami ng lalaki at isang tineyger na may dalang lata ng biskuwit.
Ngumiti sa akin ang lalaki.  Ngumiti din ako.
“Bakit ka lumipat ?”  tanong ng lalaki.
Ayoko dun  sa dati.
Parang nahalata niya na natakot ako sa matandang lalaki.  “Takot ka dun sa mama?  Hindi ka aanuhin niyon.Matanda na si Tatay.”
Ayokong makipagsapalaran .Bastos siyang tumingin.Parang nanggigitgit pa ng katawan.
“Ako si Alex.”
Peechy.
Inilabas niya ang isang ID na nagpapatunay ng kanyang pagkatao.Isa siyang  agrikultyurist.
Ilang sandali pa umandar na ang tren. 
“Dapat hindi tayo dito nakasakay ngayon.  Sana nainform nila kaagad na may problema para napalitan agad ng ibang tren sa ibang araw.”
“Oo nga!Malaki and diperensya nitong PNR.  Dapat bigyang pansin ito ng gobyerno kasi inaasahan ang trenng  publiko.”
Ang trenay tatalon talon.Di gaanong mabilis.Ang mga katawan ng pasahero parang nakasakay ng kabayo.
“Diyos ko nakakatakot naman ang mga pintong dito, parang may giyera. Ang aluminom door  ay bukas- sarang humahampas.  Parang may labanan.
Natawa si Alexsa sinabi ko.
“May asawa ka na?”
Meron.
“Bakit hindi mo kasama?”
Nasa abroad.  Sa Dubai.
“Ako hiwalay.Kaya binata ako uli.  Ang ganda mo”   Misteryoso ang kanyang ngiti ngunit alam ko mabait siyang tao.
Pinagmasdan ko si Alex. Matikas.Mataas.  Moreno.  Ang mga bisig niya, maskulado at matatapang ang mga ugat.
Naging sagabal ang pinto ng tren sa akin,  sa diwa, pati na sa  pag-uusap namin.  Halos mapayuko ako sa takot na gustong magtago sa ilalim ng upuan.  Yun bang parang may kalaban ka na hindi mo nakikita.  Hindi ka man lamang makaganti.
Grabe naman ang pinto nila parang may sasalakay na mga terrorista .
Natatakot ka nanaman?  Huwag kang matakot, isipin mo ako ay sundalo.  Sanay ako sa bundok.  Tumawa siya.
Tumawa rin ako.
Pero kahit anong lakas at tapang niya grabe ang takot na bumalot sa akin nung gabing iyon.  Parang may dudukot ng likod ko sa bintana.  Parang may babaril sa bukas at sarang pintuan.  Parang may magtatapon ng Granada sa madilim na loob ng tren.
Marami sa amin ang waring hindi sanay sa third class na iyon dahil sa first class dapat kami nakasakay. Ang matandang babae sa harapan ko ang nagpalakas ng loob ko; ang akap niya ay ang kangyang higanteng kahon.  Waring sanay siya sa third class.  Nakihati ako sa nakita kong katapangan.
Ngunit sa paghampas na naman ng pinto ay nagulat akong muli.  “Diyos ko!”  Maluha-luha ako sa takot at hindi nagatubili si Alex.  Niyakap niya ako.  Mabilis at mahigpit niyakap ko rin siya.
Mayamaya tumigil mulisa isang estasyon ang tren.Bumitaw ang aming mga bisig.
Kalmadong muli ang mga pasahero. Tahimik ang lahat; maingat sa gabi.
“Iwan ko sa ‘yo ang gamit ko.  Punta lang ako sa comfort room.Ikaw?”
“Hindi, ayokong gumamit ng  toilet.”
Ngumiti sa akin si Alex. 
Naglakad siyang marahan, maingat para hindi madapa sa tren.  Malakas ang kanyang mga hita, matatas ang kanyang likod.
Ang bag niyang itim ay iniwan ngasa akin.  Parang gusto kong buksan upang malaman ko kung anong kulay ang bituka niya.
Maya maya pa bumalik  na si Alex.
Malinis ba ang toilet?tanong ko.
“Hehe, okay naman.CR ka na...”
Hindi.
“Ayaw mo lang yata,” parang nanunuya siya.
Ayaw ko talaga.  Isa isang lagok langng tubig ang iniinom ko.
“Hindi ka nagugutom?”
Hindi.
Andar ng andar and tren at marami pa kaming pinag-usapan.  Nawawala ng panandalian ang takot ko.  Pero bumabalik kapag biglang kumakalabog ang mga pinto.
Sa tuwing nahahalata niya ang sidhi ng takot sa ‘kin ay hinahawakan niya ang kamay ko.  Hinawakan ko rin siya.  Ramdam ko may  kapangyarihan ang kanyang mga kamay.
“Tulog ka na. Babantayan kita,” ang sabi ni Alex.
Okay lang ako. Ikaw na ang matulog at ako ang magbabantay.
Sa gabing iyong parang nakakita ako ng kasama sa biyahe. Malaking bulong ng aking puso ‘ Salamat po’. Marahil kung wala si Alex grabe na ang sakit ng utak at katawan ko sa takot.  Mabait ang Langit.
Payapang muli ang tren.Pawang lahat ng mga pasahero ay nakapikit.  Ang iba naman may headphones at nakikinig.
Ang ilaw sa loob ng tren ay kutitap ng isang wat lamang.Ano ba naman ang PNR?Sa isip ko kahit third class dapat may lock ang mga pinto, may wastong ilaw at malinis na toilet.  Dapat may gard din at kliner dahil 21st century na tayo. 
Ensure passengers’ safety! Ginising ko si Alex.  Di ba Alex?
Tumawa siya at iminulat ang mga mata.
Hindi ako makatulog sa lalim ng gabi.  Si Alex paunti-unti and pikit.Ang mga tao tulog-gising.Ang ibang mga pasaheronakataas ang mga paa.  Kapag sathird class ka nakasakay, halos walang ayus.  Walang namber and upuan.  Pero kahit ganoon kagulo marami pa rin ang may mababait na kaluluwa at handang tumulong lalo na kapag may bata.  Mailap ang bawat isa, ngunit pawang buo ang bawat loob.
Alas-dos na ng gabi.  Tumigil muli ang tren.Nagbaba ng ilang mga pasahero.
Alex bakit hindi pa umaandar?  Ang tagal ng hinto?
“Huwag kang magalala, aalis na tayo.  Ilang sandali na lang.”
Maya-maya may mga taong papalapit.  Nagsisigawan.Isang grupo.  Ang mga tao sa loob naalarma. 
“Sa pinto, sa pinto, bantayan ang mga pinto!”sigaw ng kalalakihan.  Hindi ko alam kung bakit.  Matindi ang takot ko.  Mabilis bago makalapit ang grupo umandar na ang tren.Ang ibang mga babae, nagsigawan sa takot.  Nagkwentuhan ang mga pasaherong mailap.Nagdamayan.Nagsiinom ng tubig.Nagbigayan ng mga baon.
“Malamig ang mga kamay mo. Halika dito.”Niyakap niya ako ng mahipit.  “Matulog ka sa akin.”  Pinasandal ako ni Alex sa dibdib niya.  Sumandal ako.  Yumapos at inilapit ang buo kong katawan dahil sa takot.  Para akong bata na naghahanap ng kumot.  Ipinikit ko ang aking mga mata. 
“Matulog ka na.”  Hindi ako makapagsalita.  Ramdam ko hinalikan niya ang aking noo.  Pinabayaan ko siya.  Pagkatapos hinalikan niya ang aking pisngi, ang aking mga mata, ilong, labi.  Masarap siyang humalik pero hindi ako makaganti sa takot.

“Nandito lang ako.Magpahinga ka muna.”

Lagi kong hinihintay ang text ni Alex.  Simula ng maghiwalay kami sa tren sa celfon na lang ang usapan namin.  Hindi pa kami muling nagkita pero parang matagal na kaming magkakilala.  Alam niya ang buhay ko. 
“Tuloy tau mamaya sa Makati na lang.”
San?
“Sa Walter Mart.May ibibigay ako sau.”
“Sige.  Anong ibibigay mosa ‘kin? Tiket sa tren?  Pabiro kong tanong.
Sagot ng text ni Alex, “Singsing!”


/Rosalinda flores martinez. Katinigwriters 2014

Tuesday, July 16, 2013

THE CINEMA

THE CINEMA
art entertainment review reference
1.
Watching Kingdom of Heaven,  I Remember
I remember Jerusalem as the home of Christ. Christ is born in Bethlehem. He is crucified on the Hill of Calvary (now the altar of crucifixion), is buried in Golgotha (a place of skull), and on the third day, he arose again.
I remember Jerusalem in the Basilica of the Holy Sepulcher, I am a Christian.
I honor the Wailing Wall (Western Wall) of the Jews. I weep in the wailing walls, the city of David, where Solomon built the temple. I mourn with them.
In Jerusalem, a mosque stands over the spot from which Mohammed is said to have ascended to heaven. Abraham is said to have prepared to sacrifice Isaac on the same spot. I believe the Dome of the Rock.
Hence, I remember Jerusalem, a place of prayer for all faiths.
It is comforting to know that God has no favorites and his love for all manifests in the everyday conquest of our hearts and life journey. God, above all, strengthens us to be better beings everyday in the chances we can make out of life.
The film, "Kingdom of Heaven," (2005) highlights this Holy City. It tells the story of a blacksmith (Orlando Bloom; Legolas in Lord of the Rings), who after his dolours, transforms to become a brave knight and baron of Ibelin. His loyalty is grounded on the kingdom of conscience, which is imperfect in human conditions, but buttressed in the hands of God. His humility in being a blacksmith lets him serve the people. His bravery in being a knight lets him deal with wars and speak the truth. He portrays a modern Christ in some point of his life, teaching even a king, a woman, a child, a gravedigger and a bishop, among others. Being in a company of various troops and conditions of people, he endures and values every person, sharing about right action, courage, and loyalty to God, above all.
According to Kenneth Turan of Los Angeles Times (IMDB), "Scott and company have gotten so accomplished at re-creating history that the results have a welcome offhanded quality, making them spectacular without seeming to be showing off."
"Kingdom of Heaven" stars Liam Neeson as Godfey de Ibelin, Orlando Bloom as Balian de Ibelin, Marton Csokas as Guy Lusignon, Eva Green as Sybylla, Nasser M. as Muslim Grandee, Ghassan Massuod as Saladin, Jeremy Irons as Tiberias, Edward Norton as the king, John Finch and more.
Ridley Scott (Gladiator, Prometheus) is the director. William Monahan (a novelist) is the screenwriter.
References: 
Lands and People, III, The Near and the Middle East  Wikipedia Online  IMDB






2.
In Time:  Don’t Waste My Time

The idea of codes is dynamic. See how science-fiction opens conduits to discovery and innovation.

The concept of the movie "In Time" is done with sheer style, updated with today's modern technology. 
Imagine arms with life codes like the candies and stuff you buy from the supermarkets. Imagine your arms scanned to get the things you need. Your payment is the time that's left for you to live by (the time you need to live). Time, as the basic resource is well portrayed in the movie to be so prized, but never paid well for the poor.
Those that control the system can't run anymore, their faces a false sophistication melting like wax.
In another aspect, it shows us thoughts about life, profusely. There is a vivid picture of capitalism, where only a few groups or individuals own lands, businesses, and means of production.
It also shows mayhem by chance in the ghettos, where those who have got more are robbed by bad guys. With social implications, the ghettos are a minority group (check history).
A contemporary scene becomes evident, in the supply of commodities (coffee and food in stores) restricted to a few, though demand is high because of the high cost of living brought about by rising costs in all the time zones (only the rich can afford).
In the end, two young advocates Will Salas and Sylvia Weis (from divergent zones), collaborate and work together to find solutions to uphold the living conditions of the people and to correct the systems, like what Robin Hood does (but no arrows now, only guns). Also, kids of hope shine in their innocence to bring forth more life time to their degenerating zones and one generous senior (victim) offers his centuries (life), for the hope of change and progress believing in the kind heart and blood of Will Salas. The old man wrote in the glass window, "Don't waste my time."
Moreover, 25 years old establishes an age of responsibility in every form and any form of life. One is supposed to start earning trust from elders, parents and community from the good work lived and served, especially for the under privileged.
But then, the impossibilities! No time; no future can alter man's death or creation, except God who gives and takes life.
But maybe, if fiction.
All in all, "In Time" is thumbs up!
Among others, Justin Timberlake (Will Salas), Amanda Seyfried (Sylvia Weis), and Cillian Murphy (Raymond Leon) star in this film. It is directed and written by Andrew Niccol.



3,

Agora:  Snippets of Dialogue
"Whatever may be going out the streets we are brothers," warns Hypatia in the film "Agora."
Set in Roman Egypt (391 A.D.) the film "Agora" is a historical drama showing how a teacher establishes affinity and harmony with her students.
In the story is a slave (Max Minghella) who turns to the rising tide of Christianity, in the hope of pursuing freedom. He falls in love with his master, the famous Philosophy professor, Hypatia (Rachel Welsz)of Alexandria.
Though an atheist, the teacher favors the principles of freedom, respect for life, peace, love, and responsibility. She is occupied with books, lessons, and the billions of systems around the earth.
Sometimes classes extend even outside the classrooms when a teacher vows responsibility to her students. The student's ambitions with their potentials are gifts they can share to humanity and life progress.
Moments of life are lessons to learn. If only each teacher and student would bond all their good undertakings, then attending school would not be boring. Teachers like second parents or leaders of a community, are guardians for creating what the earth and nations can profit.
Depicting a typical Philosophy class of arguments and subjects, and loaded with intelligent conversations, the classroom becomes a core of bright ideas and goals. As one community and together, the classroom should make a mark more than books to read, more than fundamentalism and rules, but a fortress of truth and inspiration.
Orestes falls in love with his teacher, and gives his loyalty to his mentor.
Romance and discipline show in the scene where Davus, the slave, assists the teacher in all her needs. He goes to school with with Hypatia and learns. He even assists her during baths. He falls in love with his master and lusts for her. Later he fights for the Christian doctrines. In the end, Davus brings the teacher to meet her death embracing the fate they both have to meet.
"You are a Christian because your heart is a Christian, " says the slave to the lady. The teacher helps the slave and treats him like one of her students. She sets the slave free: heart, mind, and body.
Snippets of Dialogue
"Do not touch my disciples," shouts the teacher. This immense quest to groom good leaders in an unrequited love forms the strength and responsibility of individuals and workers in different paths of life.
"You don't question what you believe." Faith is given a highlight above everything.
The film is under Tyler Perry Company.
It is written and directed by Christopher Strokes.


4.

Best War Pictures
Why do we like to watch war pictures?
We watch them because wars remind of history, freedom, honor, and tradition. Wars have bled Nations new ways of life and lessons to learn. Soldiers bow to obedience, unity, service and integrity with mute tongues and that devotion to die for country and its people.
Wars have brought progress from oppression. Life tells that war is like love, "It isn't fair in love and war." Maybe, history has just to make movies and not wars again. Let nations and peoples pray for peace in the world and among men.
Find these classic movies of war and virtues:
1. The Last Samurai
Tom Cruise stars as Nathan Algren with Ken Watanabe as Katsumoto.
Nathan is a man adrift. The Battle he once fought seems distant and futile. Once he risked his life for honor and country and in the years since civil war; the world has changed for him.
The troubled American soldier finds himself at the center of a violent and epic struggle between two eras and two worlds, with only his sense of honor to guide him.
Edward Zwick is the director. "The Last Samurai also stars Tomothy Spall and Hirojuki Sanada.
Film is by Warner Brothers Pictures.
2. Full Metal Jacket by Stanley Kubrick
This movie is with critics and awards nomination (1987 war film).
Full Metal Jacket ranks 457 on Empires 2008 list of 500 greatest movies of all time.
It follows a squad of US Marines thorough training. The plot is sad and harrowing showing how one dies - in a war like the Vietnamese woman sniper, and a suicide committed by a "trying-hard" and coping soldier.
In the end, Marines finish the day by singing the Mickey Mouse Club March.
Story is based on the novel "The Short-Timers." Movie stars with Matthew Modine, Adam Baldwin, Vincent D' Onofrio, R. Lee Ermey, among others.
3. The Thin Red Line
Sean Penn is Sgt. Welsh in "Thin Red Line." The story tells the horrors of war. Soldiers bond into a tight-knit group with emotions that develop into unity and family.
4. Saving Private Ryan starring multi-awarded actor Tom Hanks
5. The Patriot starring Mel Gibson
Benjamin Martin (Gibson) is a reluctant hero, who later discovers that the only way to protect his family is to fight for a young nation's freedom.
6. Born on the Fourth of July
Tom Cruise delivers an engrossing unforgettable portrayal of Vietnam veteran Ron Kovic. The film is based on a true story of a zealous teen who eagerly volunteers for the war, to an embittered veteran paralyzed mid-chest down.
Rose Flores Martinez


5.
THE CINEMA

From its humble beginnings, cinema has been heralded as a uniquely endowed art form providing an escapist for a socially alienated audience. From a historical point of view, cinema seems to have played the same social role in the 21st century as that of the novel in the 18th century. Filmmaker and writer William Burrough writes, "What has made money will make money." This axiom encourages studios to the tried-and-tested formula rather than experiment with a new twist or a new technique.
Screenwriter Clodualdo Del Mundo Jr., Ph.D (University of Iowa), illustrates the "Filmaking Universe" explaining the inner circle as the mainstream industry, whereas the outer circles reveal for alternative films. "The farther the screenwriter is from the center, the more independent he or she becomes," Del Mundo says.
It is important to know that there are different audiences. The commercial industry already has a niche market but independent filmmakers still have to look for their own audience. Apart from being financed by independent producers and agencies, alternative films can also be sponsored by embassies and screened for festivals (i.e. Cine Europa, Spanish, and Japanese films).
"The idea is not to compete but to make films that the mainstream is not doing. It is important to think of subjects that the industry does not deal with, and look for new and different ways to tell stories," adds Del Mundo. Today's trend also reveals computer-generated films and characters - the Transformer, among others. "It all depends on what one is looking for," he asserts. For the industry, a good film is the one that will make money. The quality of the film is incidental. However entertaining films can also be good."
How successful has the underground art film been as an alternative to the commercial films? Experimental films, which presumably are not concerned with commercial viability, have an entirely different set of criteria. For example, in the commercial films of Anthony Balch, it has been said that the conscious, logical part of the mind is like the tip of the iceberg that appears above the water. What he is trying to do is to jar people into developing an awareness of an area under the water by actually showing them mechanisms of perception that, of course, go on all the time.
"In writing a film, one has to be interested in the project. That is a prerequisite. In my case, I try to write the best I could. I work outside the mainstream so I do not get projects often. However, I have a regular job as professor. In that way, I can choose projects I want to write. My two jobs complement each other."
Certainly, the cinema is privileged for this double adventure of acknowledging and exploring the strangeness of the world. That which takes place in our dreams is infinitely more interesting (because it's richer, less prearranged, more capable of revealing our relations with reality) than the gestures and words, the thoughts and settings, that constitute the fabric of our socialized life. Cinema is an instrument for understanding the contemporary man and shaping the man of the future as well.
Clodualdo Del Mundo Jr. is a professor and a respected filmwriter.
Rose Flores Martinez, 2009



6.
An Analysis:  The Story of the Gladiator

The old movie "Gladiator" portrayed by Russel Crowe gives a vision of freedom.
"The idea is greatness. It is a vision," says the lady lead character in the film Gladiator. I can visualize from the story the writer's itch to show what greatness means. That greatness is being true to your word, being truthful to yourself and doing a noble and magnanimous deed. It is being brave despite trials. It is being true despite poverty. It is fighting for what you believe in.
History tells us that Romans are thrilled with games involving slaves. Audience bets on who wins the game while they get entertained as depicted in the film. The story concept shows that greatness is not being rich or being poor nor being a king or slave - it is something in the character of the individual. No matter who or what he is. Maximus proves his worth as being a good man by being true to his promise to King Marcus Aurelious.
The idea also shows us about freedom. That it can be won by staying together for a good cause and having true friends. Working together for a vision to attain a goal despite dangers (it was depicted in the senator's life , the loyal friends of Maximus, and the princess). Greatness is an act that teaches men wisdom, wisdom to have strength and honor to the extent of risking one's life.
The screenwriter with a deep thought about greatness, principle, life and death weaved a great story form the simple but encompassing idea of a good vision: the general who became a slave, the slave who became a gladiator, and the gladiator who defied the emperor.
Indeed, a noble deed wins you freedom, even after life. It will set you free.
Screenplay is written by William Nicholson.
Rose Flores - Martinez 2009




/ rosevoc2. On July 16, 2013. iwrotefiction

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